Clementaum Joins The Booth by DJane Mag for International Women’s Day

The Brazilian artist joins the Brazil edition of DJane Mag’s live set series for a special Women’s Day session streamed from São Paulo on YouTube

DJane Mag presents a new chapter of The Booth by DJane Mag this Sunday with Clementaum, in a special International Women’s Day Brazil edition streamed from São Paulo on YouTube.

The episode brings together a rising artist and one of DJane Mag’s established video formats. As a result, the release strengthens the publication’s editorial vision of the booth as a space for identity, performance, and women’s centrality in electronic music.

The Booth by DJane Mag is our live set series where we present women DJs directly from their booths and from other spaces around the world. Over time, the project has become a platform for curation and visibility, connecting artists and audiences through performances with a clear point of view.

Clementaum joins The Booth at the right moment

Clementaum arrives at The Booth during a strong moment in her trajectory. Her musical language combines dancefloor energy, performance-driven presence, and a sonic identity shaped by Brazilian funk, Latin rhythms, and contemporary club culture.

At the same time, her momentum is also being recognized internationally. A recent feature in a leading global dance music outlet helped expand her visibility outside Brazil and reinforced her status as one of the most exciting names to watch right now.

In a statement that captures this phase, Clementaum described the mix as a blend of Brazilian Carnival energy and everything she absorbed during her latest European tour, adding that she wanted the energy to be so strong that nobody could stand still, wherever they were.

For DJane Mag, bringing Clementaum into The Booth in this context is more than a booking. Instead, it is an editorial choice that matches the spirit of the format and the symbolic weight of International Women’s Day, connecting presence, repertoire, and cross-scene relevance.

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The Booth by DJane Mag as a platform for performance and identity

More than simply documenting sets, The Booth by DJane Mag treats the booth as an artistic language. In other words, the focus is not only on track selection. The series also highlights how each DJ builds energy, shapes narrative, and turns technique into a live experience.

For that reason, the format creates a stronger connection between artist, audience, and brand. As a result, performance, curation, and personality come through more clearly, giving each episode a distinct identity.

With Clementaum, that concept gains another high-impact chapter. Her presence expands the reach of the project and reinforces DJane Mag’s commitment to spotlighting women DJs with cultural relevance and a strong artistic voice.

International Women’s Day special on DJane Mag YouTube

This special set with Clementaum works as a meeting point between celebration, visibility, and the dancefloor. At the same time, it reinforces DJane Mag’s editorial commitment to female protagonism and original formats.

YouTube becomes the ideal space for this release because it allows a more immersive viewing experience with a clear focus on booth presence and live performance. As a result, the set can connect with audiences across different territories.

Where to watch Clementaum on The Booth

The special Clementaum set will be streamed on the DJane Mag YouTube channel as part of The Booth by DJane Mag this Sunday.

For European audiences, the recommended time is 8 PM CET, which places the set in a strong early evening slot for viewers across key territories.

Conclusion

Clementaum joining The Booth by DJane Mag brings together the right elements for a high impact edition. There is an artist in a strong momentum phase, a format with an established identity, and a date with symbolic value for the scene.

On International Women’s Day, DJane Mag reaffirms its role in spotlighting women DJs through a project that turns the booth into a space for creation, expression, and protagonism.